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All about studio lighting


Discover the LINK 800: Versatile Lighting for Studio and On-Location
The Paul C. Buff LINK 800 isn’t just a flash — it’s a powerful, portable lighting solution that transforms both studio and location photography. The video demonstrates why this unit is so impressive.

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The PLM™ Parabolic Umbrella: Tips, Lessons, and Versatile Use
Good studio lighting can make or break a photoshoot. The PLM™ Parabolic Umbrella is a versatile tool that allows photographers to create soft

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Which Flash Unit Is Right for You?
Which Flash Unit Is Right for You? A Clear Comparison of the Einstein, LINK, and Celestial

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SYNCING TO THE CAMERA AND SYNC SPEEDS
Firing a studio flash from the camera requires some form of instruction from the camera to tell the flash when to fire. This can be done with a sync cord, with a remote control or, in some cases, by letting the camera fire its own built-in flash to set off the flash-sensitive slave trippers contained in most studio flash units. But it is difficult or impossible to set the built-in flashes on many cameras so they fire at the right time. Most digital cameras use a “preflash”

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COLOR TEMPERATURE AND COLOR BALANCE
In order to achieve good color balance with studio flash, the user must understand the factors that affect color. Cameras with built-in flash need only establish color balance parameters from a single, unchanging flash source and are normally set to “flash” setting for proper color. But color balance with studio flash is affected by a number of variables including the color balance of the flash units themselves, changes of color introduced by the shooting environment, changes

Paul C. Buff Europe


FLASH DURATION
Figure 1 depicts the typical characteristics of a Xenon flashtube. When the tube is fired there is a rapid ionization period as the tube output rises to maximum brightness. This is followed by an exponential decline in tube current, voltage and light as the capacitors are discharged to zero. The standard engineering term for stating flash duration is “t.5”. This describes the time it takes for 50% of the total flashpower to be dissipated. Whenever the simple designation “Fla

Paul C. Buff Europe


EVERYTHING YOU WANT TO KNOW ABOUT STUDIO LIGHTING
Good studio flash systems differ from on-camera flashes in many ways. In addition to providing considerably more flashpower, studio units are designed to be used with a wide variety of light shaping accessories such as umbrellas, softboxes, grid spot attachments, barndoors, beauty dishes and others. Each of these accessories provides a different quality of lighting, allowing the user to precisely compose light to suit his purpose. Studio flash units are often used in multiple

Paul C. Buff Europe
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